I went with my friend Diana to see The Tomb of the Unknown Craftsman, a Grayson Perry curated exhibition at the British Museum.
He sets his new work alongside items, from the BM's collection, made by unidentified and anonymous crafts people. He uses these objects as a way of scrutinising a range of themes connected with our notions of craftsmanship and pilgrimage, ranging from holy relics, magic and shamanism to identity and contemporary culture.
Oh, and motor bikes. . . . .
Alan Measles' stunt double enthroned.
My absolute two favourite pieces. The delightful Our Mother and Our Father. Both pilgrims on the road of history, carrying the weight of many different cultures and conflicts . . . and, er, pretty much the kitchen sink in the exemplification that is, Our Mother
Tomb is well worth a visit, although I must admit to feeling a little envious that Perry could rummage at will through the museum's collection. The exhibition continues until the 19 February 2012
The BM is stuffed so full of goodies it's always worth a sketchbook trip, and the building itself is interesting. An impressive use of space, the Great Court in the BM is the largest covered public square in Europe, enclosed under a spectacular glass and steel roof.